Language models hold meaning as geometry. Every word occupies a real position in a space of billions of dimensions, placed there by every context in which it has ever appeared, and the distances between words are mathematically true. My work uses that geometry as its material.

Not to generate images from descriptions, not to automate creative decisions, but the way an impressionist uses light. I approach it from angles that make visible what the space already contains. I choose axes, build systems in Rust and SQLite that let the model's internal structure become the subject rather than the tool, and render what the geometry holds into something a person can experience directly. The pieces accumulate each visitor's word remains, drifting through the dark for whoever comes after.

Because the work is not an object but a place inside the mathematics of meaning that you move through together.